Nepalese mirror Pair of Golden Fish and Lo Shu 50 millimeters

The use of metal mirrors as an indispensable attribute for people dealing with the worlds of the spirits on a regular base, such as professional shamans and priests, is already known for more than 6000 years. As such they have been found in excavations all over (especially) the Eurasian continent. From Tibet, Siberia, Nepal to China.

In different regions, the shamanic mirror is known with different names, such as kuzungu, toli, panaptu, melong, darpana or chinza. But regardless of the name, the mirror is attributed the same sacred functions in all these regions. Such as; protection against malignant forces, amplifying the power of the heart from the one wearing it, being a guide and protector in other worlds, being a spirit container and assisting in oraclework and scrying. 

The shamanic mirror is one of the most important attributes in the tradition of Spirit of Wolf and is worn during all kinds of rituals and healing work. 

A shamanic mirror can be made in different shapes and patterns, and be decorated with all kinds of motives and symbolism. The frontside is often very shiny and should be regularly polished to be able to reflect all negative influences away. 

Shamanic mirrors can be made from different kinds of metal. The diverse metals are attributed certain correspondences such as: 
- Brass or bronze, connected to the Sun
- Silver, connected to the Moon
- Copper, connected to Underworld Sun

This mirror is beautifully decorated on both sides. On the frontside, one of the Tibetan Buddhist 'Eight Auspicious Symbols' can be seen; the Pair of Golden Fish. This symbol represents how being truly at one with your element (i.e. becoming the so-called ‘fish in the water’) frees you from (often self-created) pains and fears and thus results in liberation and freedom, and entering a state of happiness and fearlessness.

On the backside of this mirror, a depiction of the traditional Tibetan astrological system can be seen; the astrological chart of Si Pa Ho, consisting of three schematic images:

1) In the center the mystical square Me Wa Gu can be seen. In the 9 parts the numbers from 1 to 9 are inscribed, the sum of which in each column is 15. This scheme forms in Tibetan-Mongolian astrology a numerological indication of the relationship between a person and deities and spirits. Each digit governs the year, they replace each other in reverse order.

In China this mystical square has been known since 2200 BCE and is called 'Lo Shu' or Nine Halls diagram; it derives from ancient Chinese mathematical and divination traditions, such as the art of Taoist Geomancy. Nowadays it is also widely known as an important emblem in Feng Shui; the 9 parts (also called 'palaces') then represent the 8 directions of the compass plus the central position, with each part having its own energy.

2) In the ring around the square the 8 trigrams ('Ba Gua') of Par Ha Ge can be seen. The trigram symbols come from very ancient origin; they derive from symbols found on ancient Chinese divination bones dating back as long as 11th century BCE. A related version of bone oracle is still used today by Turkic and Mongolian people, and also in the lineage of Spirit of Wolf Shamanism; 'Kazhiki'. 

Doubled trigrams form 64 hexagrams, which form the core of the I Ching, the Book of Changes.

Each trigram is a divinatory grapheme and represents different dynamics, energies, cardinal points, animals, seasons etc. In depictions such as on these mirrors, where the 8 of them together form a circle, it symbolizes heavenly order, a healthy balance and right flow of energy.

3) In the outside circle the 12 animals from the Eastern zodiac can be seen.

These mirrors come from Nepal, are made of bronze and have a diameter of 50 millimeters millimeters. Four of them are hung on a piece of satin cord in different colors, one comes without cord. You can choose your favorite cord-color via the selection-menu. From there, we will handpick the exact one for you at random.