Bells such as these are a common sight in (mostly) Hindu and Tibetan Buddhist temples, where they are hung at the entrance or near the altars. In Sanskrit they are called 'ghanta'.
The practice of making these bells is a whole science in itself. The authentique ones are not simply made from one metal, but from a very specific alloy of different metals (like cadmium, lead, copper, zinc, nickel, chromium and manganese) in very specific relative proportions, giving them distinct sounds and vibrations. These sounds are considered 'auspicious sounds' and are related to the sound 'Aum', the all encompassing cosmic vibration of the universe.
They are rung by the temple's visitors for multiple purposes. An important reason being the invocation of the deities, making them aware of the presence of the worshipper in their temple and calling them in. And at the same time dispelling possible lurking evil spirits.
Another important reason is that their often very clear, high-pitched sounds also influence the practitioner's own state of mind; they help to clear the mind from all kinds of wandering thoughts and go into a more peaceful, focused and receptive state. And the long-lasting vibrations reach all chakra's, giving them a quick clearance and harmonisation. Thus preparing the practitioner for his upcoming moment of prayer or spiritual practice.
Bells like these can of course be used for all your personal spiritual practices. They can be hung in your practice or altar room or serve as a hand-held bell on your altar or during your rituals, ceremonies and healing sessions.
This bell is an older one from Nepal, where it has been used in a temple before. It shows some small signs of its age and previous usage, but this is overall a good quality bell with a good sound and is certainly ready to be used again in your personal practices.
This bell is approximately 14 centimeters high, with a weight of approximately 364 grams. It is made of bronze and has an iron clapper, attached to the bell with some iron hooks.
Only one available.
